I’ve
continued to chip away at the snapshot, specifically the presentation, in the
few days since the last article on snapshooting. I experienced some difficulties, and was able
to address them by making change that feels quite a bit different, but would
probably not be outwardly noticeable.
The
easiest way I can illustrate this is through a discussion of the axis point of
the rifle during presentation. The most obvious
axis point of the rifle to move from its angle at port arms to a nearly
horizontal position is probably somewhere between the location at the center of
the two hands holding it and its balance point.
That’s where it would be the most natural way to move it in terms of
feel by the way the rifle balances.
The axis of the rifle's rotation is the red dot. A
big swing, while raising it up. It does
work, but you get the problems of wasted motion, a lot of parts moving
simultaneously, and a moment of obstructed vision.
I
discussed the problem with that type of movement in the previous snapshooting
article. I’ll sum it up again. If the rifle is rotated around the obvious
axis point, that axis also needs to be raised up for the sight to meet the eye. The raising of the rifle and the rotation of
the rifle tend to occur simultaneously.
This causes just a bit of excessive net movement of the rifle. What is more of a problem is that the rifle
rises into and above the line of site which obstructs the target and disrupts
the visual continuity of the process.
Another
problem with using the obvious axis is that the muzzle position in port arms is
a good reference point of where the rifle will point when its presented to the
target. It’s like a pointer. All the movement that is created when
rotating around that obvious axis detracts from the usefulness of that pointer.
What I did
in the last article to make the presentation a little more efficient was
essentially move the axis of rotation forward to approximately the location of
the support hand. This improved things
quite a bit. During this movement the
support hand has the feeling of moving forward to point in at the target, while
the firing hand compensates to keep it on track while placing the butt to the
shoulder and obtaining a firing grip.
The
primary feeling here is of the support hand, specifically the base of the index
finger, driving the index to target.
While the
hands move the rifle, I had to learn the feeling of getting the cheekweld
established immediately. Something that
Colorado Pete said about a year ago in a discussion about snapshooting stuck
with me:
“Speaking of
snapshots...when I took Col. Cooper's General Rifle course at the Whittington
Center back in '99, we had a retirement-age gentleman from New England with us.
On the man-against-man steel shoot-off at the close of the course, he showed
off what must have been his lifetime of grouse-shotgunning skill. The first
target was a large steel at about 50 yards or so. His rifle went off when the
buttplate hit his shoulder, so consistently that it seemed as if the trigger
was in the buttplate. And he did not miss.”
Finding
that instant cheekweld had been a problem, so I decided to mould myself using
his analogy of the trigger being in the buttplate as a model. I started breaking the dry fire shot right
when the butt reached the shoulder. If I
didn’t have a sight picture I knew I didn’t get my cheekweld fast enough. Sometimes an obvious deficiency is the
quickest path to noticing the problem and rectifying it without too much fuss
or thought.
I believe
it was this shift from a kinesthetic approach to a visual one that broke this particular barrier
for me. Shooting is such a visual
activity. I seem to favor kinesthetic
learning. Sometimes one needs to shift
from their primary learning style to make progress.
What I was
finding is that there are so many moving parts in this movement that it’s
rather difficult to get them all to terminate in a consistent point in a proper
firing position. I started examining the
presentation with a little more logical analysis. I knew that I had simplified the movement,
but not completely.
I figured
out that the muzzle is already pretty much at the height that it needs to end
up in. That makes the muzzle the most
logical place to use as an axis to rotate the rest of the rifle around. This gives the support hand pretty much
nothing to do except to maintain the muzzle at an eye level height. This gives the firing hand only one job,
which is to move the rifle to its proper position.
The
photo oversimplifies the movement a little bit in comparison to the other
photos, but that is how the change feels in comparison to the others.
As I said
before, this is a very subtle change.
The results, in my opinion, have been more dramatic. I use the muzzle as a guide to address my
body to the target. To say it another
way, the rifle is held in the normal, comfortable port arms position, and the
body is rotated left or right without altering the way the rifle is held until
the muzzle is just below the target. The
eyes remain on the target. The safety is
turned off, and the sight comes up to the eye, replacing the muzzle as the
visual marker. The finger should be on
the trigger at the time the sights are on the target.
This is a
lot easier than trying to get everything to move all at once and land in the
right spot. I’m finding a lot greater
consistency and ease of movement, and that the sight is coming up a lot closer
to my intended point of aim. Those are
good things.
Thank you
for reading.



Starting with windage NPOA set by addressing the target with your foot position, then using the muzzle as the pointer that has its elevation position mostly set, and just leveling the rifle with the rear hand while the muzzle mostly stays put.
ReplyDeleteSounds like a much more efficient motion.
Firstly, great blog, excellent reading, thanks a lot.
ReplyDeleteGreat illustrations, they certainly show the increased efficiency of your movements.
I shall not pretend to be a great snap shooter, but I'd like to chip in with my two cents worth.
I've become a lot more efficient in shouldering my rifle for snap shooting when using shotgun concepts. As far as I recall it was the book "The Better Shot: Step-by-Step Shotgun Technique with Holland & Holland" by Ken Davies that got me on the right track.
The movement I use is best described by focusing on two aspects. 1) the final movement of the rifle into the shoulder must be a parallel movement of the rifle, upwards and slightly forward, not around an axis and 2), as the butt plate comes slightly forward the shoulder follows the rifle forward connects with the butt plate.
Broken down the sequence would be
1) From ready position, the rifle is brought into a position parallel with where it will be shouldered, butt slightly behind it's final position
2) The rifle is brought up in a parallel and slightly forward movement (this eliminates the axis rotation that will move shots off target if exaggerated even slightly)
3) The final movement of the rifle is upwards and slightly forward.
4) The sequence is completed by moving the shoulder forward to contact the butt plate. In reality 3 & 4 happens simultaneously, but I hope you get the idea.
Hopefully my ramblings make a little sense. I suspect it was this kind of shotgun drilling that allowed the older gentleman to connect so well with the steel.
Thanks for a great blog